Festival and event organization, art management, grant writing, film distribution, and journalism are just some of the areas without which there would be no cultural life, as these professionals connect artists with their audience. What is the situation of cultural background work in non-profit and market spheres? How feminized is reproductive work? Is it linked to a certain level of precarity? Is it the job of such pro to make culture accessible for every social class? Can these institutions remain independent? Representatives of such areas share their experience at the forum, allowing a conversation to develop about the value of cultural jobs.