We explore what the protection of professional interest means in Hungary today.
- Are the representatives of different associations mediators between artists and decision makers?
- Between artists and the market?
- Should they represent us internationally?
- What are the goals of such organizations?
- Is artistic autonomy an illusion, or can it be realized despite state and market factors?
- Would a patron–client relationship develop between associations and decision makers?
- How can animation schools ensure that their students enter a professional scene were they can make a living?
- Could organizations work as guilds in Hungary, as they do in the US?
- Can they be politically independent?